![]() That’s when it found its way to music publishing veteran Troy Tomlinson, who later pitched it to Raye and Opryland Music Group’s Jerry Fuller just as they were concluding their meeting. Thankfully, his publishing company thought otherwise and began pitching the sentimental tune to other artists. "I played it for my producer at the time with MCA and he told me it was a terrible song that would never work on radio and that I should consider trying to write radio hits, not songs like 'Love, Me'," shares Ewing, who was signed to MCA Nashville as an artist then. The massive success of "Love, Me" was something both songwriters did not see coming as well, as co-writer Skip Ewing recalls. When I play it live, everybody sings along across different generations and age groups. And the thing you never anticipate is that it's a song that is still this popular 31 years later. "Literally three weeks in after the release of 'Love, Me,' we knew we were going to have a hit. "It was jumping 12 to 15 spots each week, to where the first single would stay two weeks in the same spot and then it would move two spots, or three, and then it might stay up there," he recollects. While Raye and Epic Records were expecting "Love, Me" to have a decent chart run, they weren't ready for its rapid ascend to the prized No. After all, 1991 saw Diamond Rio's "Meet In The Middle," Alan Jackson's "Don't Rock the Jukebox" and Brooks and Dunn's "Brand New Man" fly to the top of the charts, and they were all upbeat songs. It was a slow ballad, not an uptempo high-energy number, which radio programmers typically prefer. ![]() The song's chart run was a surprise to Raye and his team.
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